A boon was conferred upon humanity which cannot be fully appreciated until men and women have grown more responsive to those mysteries which are of the spirit of the generative processes which is a prerequisite to true spirituality.
Through spiritual unfoldment and knowledge imparted by the Mysteries, however, the latent element in each nature is gradually brought into activity and ultimately the human being thus regains sexual equilibrium. By this theory woman is elevated from the position of being man's errant part to one of complete equality. From this point of view, marriage is regarded as a companionship in which two complete individualities manifesting opposite polarities are brought into association that each may thereby awaken the qualities latent in the other and thus assist in the attainment of individual completeness.
Levi, seeing in the two children Faith and Reason, which must coexist as long as the temporal universe endures, writes: "Human equilibrium requires two feet, the worlds gravitate by means of two forces, generation needs two sexes. Such is the meaning of the arcanum of Solomon, represented by the two pillars of the temple, Jakin and Bohas." (See Transcendental Magic.)
The blossom is really the reproductive system of the plant and is therefore singularly appropriate as a symbol of sexual purity--an absolute requisite of the ancient Mysteries. Thus the flower signifies this ideal of beauty and regeneration which must ultimately take the place ofand degeneracy.
As the battle between Good and Evil centers around the use of the generative forces of Nature, winged serpents represent the regeneration of the animal nature of man or those Great Ones in whom this regeneration is complete.
The Holy Grail may also be the seed pod so frequently employed in the ancient Mysteries as an emblem of germination and resurrection; and if the cuplike shape of the Grail be derived from the flower, it signifies the regeneration and spiritualization of the generative forces in man.
The fundamental symbols of the Rosicrucians were the rose and the cross; the rose female and the cross male, both universal phallic emblems. While such learned gentlemen as Thomas Inman, Hargrave Jennings, and Richard Payne Knight have truly observed that the rose and the cross typify the generative processes, these scholars seem unable to pierce the veil of symbolism; they do not realize that the creative mystery in the material world is merely a shadow of the divine creative mystery in the spiritual.
Both the cross and the circle were phallic symbols, for the ancient world venerated the generative powers of Nature as being expressive of the creative attributes of the Deity. The Crux Ansata, by combining the masculine TAU with the feminine oval, exemplified the principles of generation.
The two tables signify respectively the superior and the inferior worlds--the paternal and the maternal formative principles. In their undivided state they represent the Cosmic Androgyne. The breaking of the tables signifies obscurely the separation of the superior and the inferior spheres and also the division of the sexes.
The sixteenth numbered major trump is called Le Feu du Ciel, the Fire of Heaven, and portrays a tower the battlements of which, in the form of a crown, are being destroyed by a bolt of lightning issuing from the sun. The crown, being considerably smaller than the tower which it surmounts, possibly indicates that its destruction resulted from its insufficiency. The lighting bolt sometimes takes the form of the zodiacal sign of Scorpio, and the tower may be considered a phallic emblem. Two figures are failing from the tower, one in front and the other behind. This Tarot card is popularly associated with the traditional fall of man. The divine nature of humanity is depicted as a tower. When his crown is destroyed, man falls into the lower world and takes upon himself the illusion of materiality. Here also is a key to the mystery of sex.
When the plural and androgynous Hebrew wordwas translated into the singular and sexless word God, the opening chapters of Genesis were rendered comparatively meaningless. It may have been feared that had the word been correctly translated as "the male and female creative agencies," the Christians would have been justly accused of worshiping a plurality of gods in the face of their repeated claims to monotheism! The plural form of the pronouns us and our reveals unmistakably, however, the pantheistic nature of Divinity. Further, the androgynous constitution of the (God) is disclosed in the next verse, where he (referring to God) is said to have created man in his own image, male and female; or, more properly, as the division of the sexes had not yet taken place, male-female. This is a deathblow to the time-honored concept that God is a masculine potency as portrayed by Michelangelo on the ceiling of the Sistine Chapel. The then order these androgynous beings to be fruitful. Note that neither the masculine nor the feminine principle as yet existed in a separate state! And, lastly, note the word "replenish." The prefix re denotes "back to an original or former state or position," or "repetition or restoration." (See Webster's International Dictionary, 1926.) This definite reference to a humanity existing prior to the "creation of man" described in Genesis must be evident to the most casual reader of Scripture.
Excerpts from Secret Teachings of All Ages (1928) by Manly P. Hall
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